This page features motionpainting portraits. The images are of Vimeo uploads or of projections taken in my studio. To view an approximation of what these works would look like when projected on a large surface, please visit the Gallery Simulations page. To view the portraits in motion, please click on the image or text link under it.
EXHIBITION OPTIONS
Most of these works are meant for large screen projection (suggested minimum 16 ft. diagonal) or ultra short-throw projection (technological improvements have now made it possible to project images that can be seen in near-broad daylight, although color vivacity – especially blacks – is still less than ideal). All works are meant for continuous viewing (i.e., looped). Unless otherwise noted, audio should be played at a very low level (as ambient sound) or not at all.
To ensure maximum resolution, the original digital file should be used for exhibition purposes rather than the Vimeo upload (please contact the artist for details).
PORTRAITS (presented in order more recent to earlier)
ALPHABETICAL LIST:
Christopher Andreasson (2 versions)
Joel Bernstein (2 versions)
Deborah Berry
Tony Checchia (3 versions)
Isabelle Craig (2 versions)
Toby Frank (2 versions)
Michael Hanish
Sadie Holliday (2 versions)
Josh Moyse
Blanche Honneger Moyse (2 versions)
Linda Moyse (6 versions)
Michel Moyse (Self Portraits, 7 versions includes recent motionpainting titled Max’s Portrait (Listen))
Dan Sable (2 versions)
John Serkin (9 versions)
Mara Williams (4 versions)
Carol Wincenc (2 versions)
MAX’S PORTRAIT (Listen) – motionpainting meant for large-screen projection and continuous viewing. M.o.s., 2022. (To view the vimeo file, click anywhere on the still image).
MARA WILLIAMS is a derivative of the original motionpainting I created in 2016. This work continues my exploration of digital processes in the creation of artwork – in this case, Max’s Vizzie.
LINDA MOYSE is a derivative of the original motionpainting I created in 2016. This work continues my exploration of digital processes in the creation of artwork – in this case, Max’s Vizzie.
JOEL BERNSTEIN PORTRAIT is a derivative of the original motionpainting of Joel Bernstein I created in 2019. This work continues my exploration of digital processes in the creation of artwork – in this case, the integration of Max’s Jitter.
DAN SABLE PORTRAIT is a derivative of the original motionpainting of Dan Sable I created in 2016. This work continues my exploration of digital processes in the creation of artwork – in this case, the integration of Max’s Jitter.
SADIE HOLLIDAY – motionpainting derivative using Max tools based on original motionpainting I created a few years ago. M.o.s., 2021
SADIE HOLLIDAY motionpainting. Meant for large screen projection and continuous viewing (audio should be used as ambient sound or not at all)
“John Serkin Portrait (with Face Layer)”: Motionpainting portrait of my very good friend John Serkin. Projection size variable. Meant for continuous screen projection in dim light (or daylight if projection technology allows for rich blacks). Audio should be used as ambient sound. 2021.
“John Serkin Portrait (Ver 8 White BK)”: Meant for large scale projection (suggested 8 ft vertical) and continuous viewing in dim light (or daylight if projection technology allows for rich blacks). Audio should be used as ambient sound. 2021
“John Serkin Portrait (Original)”: Meant for large screen projection in dim light (or daylight if projection technology allows for rich blacks). Audio should be used as ambient sound. 2021
“John Serkin Portrait (Ver 8 Alternate, Brown BK). Meant for large screen projection in dim light (or daylight if projection technology allows for rich blacks) and continuous viewing. Audio should be used as ambient sound. 2021
“John Serkin Portrait (Ver 9 Alternate)”: Meant for large screen projection in dim light (or daylight if projection technology allows for rich blacks) and continuous viewing. Audio should be used as ambient sound. 2021
“John Serkin Portrait (Yellow BK – m.o.s.)”: Meant for large screen projection and continuous viewing in dim light (or daylight if projection technology allows for rich blacks). Audio should be used as ambient sound. 2021
“John Serkin Portrait (Pale Ver 2)”: This work is created to incorporate a ‘live’ video feed from a Raspberry pi camera (or equivalent) aimed at the ‘viewer/exhibition space and framed into the central square through Millumin software. Created for large continuous viewing (for specifics, contact the artist). M.o.s., 2021
“John Serkin Portrait (Vizzie Version)”: Meant for large screen projection in dim light (or daylight if projection technology allows for rich blacks). Audio should be used as ambient sound. 2021
“John Serkin Portrait (Vizzie – Gray Ver)”: Meant for large screen projection in dim light (in daylight should projection technology allow for vibrant blacks). Audio should be used as ambient sound. 2021
Motionpainting portrait of my son Joshua Moyse. This work contains subtle movements which can best be seen in large projection over extended duration. M.O.S., 2020.
