Composited Examples
This page features video of motionpaintings that combine digital and ‘real’ materials. These recordings are meant to give the viewer a sense of what each work looks like when all elements are properly assembled – that is to say, when the digital media used for projection is integrated with all other elements included in each work (‘canvas’, OIL paints, waffle boards, acrylic panels, etc.).
This motionpainting (ISABELLE – NEW PORTRAIT) combines digital and “real” elements recorded for demo purposes only. Approximately 9’X10′, it is the latest version of several portraits of my sister I’ve done over the years. Meant for continuous viewing in dimmed light, it combines OIL paints, drawing, acrylic sheets, waffle board, plus digital projection and reflects my continued interest in creating tensions between solution and dissolution. For an extended artist commentary, please enable audio and subtitles. M.o.s., 2026.
NO QUARTER – this motionpainting combines digital and matter. It also includes a webcam which records in real time (meant to show whatever is in the exhibition environment, including viewer(s); several repurposed motionpaintings (including a recent work memorializing the murder of Renee Good by ICE agents, a view of the outside of my studio, etc.). Please engage the closed caption for additional information. Meant for continuous viewing in a semi dark environment. Narration, digital media, webcam, OILS, acrylic sheets, paper. Approximate 56″X56″. 2026.
“YOU CANNOT SECOND GUESS” is a recorded motionpainting segment combining digital and ‘real’ elements (luan, OILS on acrylic, etc.). This work contains a subtle animation that plays at various intervals over time (the subtext of this work is the ending of time). Approximately 60″ X 60″ X 4″. M.o.s., 2026.
“ABSENCE” is a motionpainting created to memorialize Renee Good, a 37 year old woman who was murdered by an ICE agent on the streets of Minneapolis, Minnesota on January 7, 2026. Theses composite recordings – front & side angles – combine digital media and ‘real’ elements (chair, oil paint, canvas, acrylic panels, etc.). This work is meant for continuous viewing in day or tungsten light. It measure approximately 54″ high, 60″ wide, 24″ deep. M.o.s., 2026.
“DOTS WEBCAM” motionpainting combines digital media and various ‘real’ elements into a work that is meant to be viewed continuously in daylight or tungsten light. It is approximately 5 ft. high by 6 ft. across. M.o.s., 2026.
“A DIFFERENT ORDER” is the last iteration of a motionpainting I started several years ago. A composite of digital media and ‘real’ elements (oil paints, waffle boards, drawings, paper, clear acrylic sheets, parts of van Gogh’s “The Sower”, etc.), this hybrid work reflects my continued interest on the inclusion of “matter”. Note that, as most of my work over the last several decades, it also breaks with tradition by incorporating directions that hitherto were considered not viable; namely, the inclusion of time (duration, motion, change) and audio – these developments invite new aesthetic explorations based on a contemporary ‘geography of the imagination’. This 96″x96″x6″ motionpainting is meant for continuous viewing in tungsten or daylight. M.o.s., 2026.
696 #3 MOTIONPAINTING combines traditional practices with digital media, waffle board, acrylics, paper. Meant for large scale projection and placement – approximate 96″ X 96″. M.o.s., 2025
Final iteration of Sadie Holiday MOTIONPAINTING integrating digital media and materials (oil paints, waffle boards, etc.). Meant for large screen projection in dimmed tungsten or day light. Approximately 10′ X 10′ X 12″. M.o.s., 2026
Revised MOD – LINDA PORTRAIT DIGITAL AND ‘REAL’ COMPOSITE. Second version. Includes digital media sourced for two projections from Raspberry Pi to small monitor & Epson Ultra Short Throw, plus waffle board, OILS on acrylic, text “He Enjoyed The Search, Tha’s Why He Never Found”. Size approxinmately 60″ X 48″ X 4″. Meant for continuous viewing in day or tungsten light. M.o.s., 2026.
This small motionpainting (approximately 48″ X 48″) combines digital and ‘real’ elements (oil paint, waffle board, acrylic sheet, etc.). Media is sourced from a Raspberry Pi through two HDMI outputs – one to the TV monitor and the other to an Epson 595wi Ultra Short Throw projector. The work features text information (“He Enjoyed the Search, That’s Why He Never Found”) and is meant for continuous viewing in day or tungsten light. The basic loop is 11:03. M.o.s., 2026.
This motionpainting “composite” is the last in a series of works begun in 2020. It is meant for large screen projection with integrated materials (oils, waffle boards, etc.) in daylight or tungsten light. M.o.s., 2025.
Blanche Honegger Moyse motionpainting recording. This recorded segment includes all digital and ‘real’ elements. It is meant for large screen ultra short throw projection and continuous viewing. Approximate dimensions 120″ X 120″. M.o.s., 2025.
696 #2 motionpainting combines digital media & various ‘real’ elements that integrate five separate motionpaintings thematically linked. This video features a segment of a work that is 49:06 minutes long & meant for continuous looping. Approximate size is 96″ x 96″; m.o.s., 2025.
This motionpainting recording includes all digital and ‘real’ elements. 2025.